12/21/2023 0 Comments Piano music rescue aid society disneySince 1965, the readers (Robie Lester or Lois Lane) read solo from texts taken directly from the Golden pages. Starting with The Rescuers, Magon also introduced a new format to Disneyland 7-inch book and record read-along sets that is used to this day. Some of those elements had been missing from several dialogue albums of the ’60s and ’70s. Like the best Storyteller albums of any era, The Rescuers combines background music with soundtrack dialogue and sound effects. The Rescuers was the Storyteller debut of Disney innovator Jymn Magon, who wrote and produced all those Little Golden Disney book and record sets and ushered in a “second golden age” for the label with Mickey Mouse Disco and a library of new records featuring Disney characters and other properties from Rankin/Bass, Spielberg and LucasFilm. Holt continued to record albums and read-alongs for Disneyland Records for several years following this album, having already cut over a dozen Disneyland Little Golden Book sets. Narrating the record-which was released with and without a book - is veteran actor Bob Holt, who voiced the Codfish in Disney’s Bedknobs and Broomsticks and countless characters for Hanna-Barbera (including the Great Grape Ape), Ralph Bakshi (notably as Avatar in 1977’s Wizards) and for DePatie-Freleng (as The Dogfather and Hoot Kloot in the Doctor Dolittle series and in several Dr. Perhaps the song most remember best is “Rescue Aid Society,” which features Robie Lester’s pitch-perfect singing for Bianca. Sammy Fain, who gave us such classic Disney songs as “Alice in Wonderland” and “You Can Fly,” collaborated with the team on the Oscar-nominated “Someone’s Waiting for You.” And Shelby Flint, who was such a musical presence in’70s animation ( Snoopy, Come Home and Rudolph and Frosty’s Christmas in July), sings three of the four songs off screen. The studio sought Oscar nominees Carol Connors and Ayn Robbins to add a contemporary feel to the score, while keeping it within the comfortable “Disney” of the era. The score by Artie Butler (Sinatra, The Bugaloos) is noticeably different than those in previous Disney animated features, making use (but not overuse) of electronic instrumentation of the period. Musically, there is evidence of an attempt at a slightly different sound. Archie comics fans might note that Michelle Stacy, the voice of Penny, played L’il Jinx in an unsold primetime Archie live-action pilot in the mid-‘70s. There is a similarity in the casting of actors (however fine) that came largely from rural comedies of the ’60s and a “what worked before” formula (that almost again included Phil Harris). It also is considered a creative break from the gradual sameness (however delightful) of the previous three features: Robin Hood, The Aristocats and The Jungle Book.įrom an audio perspective, The Rescuers is a combination of both. To animation and/or Disney enthusiasts, The Rescuers is notable for being the transitional film between the original Disney artists and the new guard. Songs: “The Journey,” “Rescue Aid Society,” “Tomorrow is Another Day” by Carol Connors, Ayn Robbins “Something’s Waiting for You” by Sammy Fain, Carol Connors, Ayn Robbins. Snoops) Bernard Fox (Chairman) John McIntyre (Rufus) Jim Jordan (Orville) Jim Macdonald (Evinrude) Jeannette Nolan (Ellie Mae) Pat Buttram (Luke) George Linsday Michelle Stacy (Penny) Shelby Flint (Soloist). Voices: Bob Holt (Narrator) Bob Newhart (Bernard) Eva Gabor (Bianca – Speaking Voice) Robie Lester (Bianca – Singing Voice) Geraldine Page (Madame Medusa) Joe Flynn (Mr. Story: Larry Clemmons, Ken Anderson, Frank Thomas, Vance Gerry, David Michener, Ted Berman, Fred Lucky, Burny Mattinson, Dick Sebast. Walt Disney Productions’ Story and Songs fromĭisneyland Records #1369 (LP Only / 1977)ĭisneyland Storyteller LP #3816 (With 11-Page Book) (12” 33 1/3 RPM / Mono / 1977)Īlbum Producer / Adaptation: Jymn Magon. This fourth editionfeatures even more Disney favorites, including hits from their most recent movie and television releases.The animated feature that was as an artistic bridge between two animation eras is also a recording that in many ways did the same thing for Disneyland Records. From animated feature films to theme parks, music has always been there to help tell the story and make the magic. Description: Since its founding, the Walt Disney Company has made music a cornerstone of virtually every part of its business.
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